PGM XXXVI 1:10-34

PGM XXXVI 1:10-34

PGM XXXVI

© University of Oslo Library

University Library P. 420

University of Oslo

Anthropomorphic figure with a kind of rooster-head holding three sticks (a bold of lightning?) on the right hand. The left hand has a position like other figures on PGM XXXVI but does not hold anything. The feet are decorated some lines, as if it was wearing socks. The name Seth and magical words associated with the Typhonicos logos are written inside the body and its limbs, and between the legs. The name Io Pakerbēth was written bellow the drawing and circled as a title.

Oslo

Norway

P. Oslo 1:1

PGM XXXVI

64479

5704

300-400 CE

Theadelphia?

col. I, 10-34

At the end of the text

Charm to restrain.

Drawing in black ink

Seth

Typhonicos logos, Seth

PGM XXXVI col. II4,9-67,

PGM XXXVI col. III, 85-101

PGM XXXVI col. IV, 115-133

PGM XXXVI col. VII, 185-end of the column

PGM XXXVI col. X, 242-255

PGM XXXIX 1-17

Reinforcement of the spell, invocation of the demon.

τὸ ὑποκείµενον ζῴδιον καὶ τὰ ὀνόματα

the creature below and the names

λάμβαν μολιβῆν ψυχρήλατον, χαλκῷ γραφείω

lead lamella hammered out while cold, a bronze stylus

γράφε χαλκῷ γραφείῳ

inscribe with a bronze stylus

Formulary

Papyrus

http://ub-fmserver.uio.no/Collection.html

S. Eitrem, Papyri Osloenses, I Magical Papyri, Oslo1925:nr. 1.
K. Preisendanz- A. Henrichs, Papyri Graecae Magicae: Die Griechischen Zauberpapyri, II, Stuttgard, 1974: nr. XXXVI.
H. D. Betz, The Greek Magical Papyri in Translation including the Demotic Spells, Chicago 1986: 269.
K. Weitzman, Illustrations in Roll and Codex. A Study of the Origin and Method of Text Illustration, Princeton, 1970, pl. XIVA
A. Nodar – S. Torallas Tovar, “Paleography of Magical Handbooks: an Attempt?”, in E. Suárez et alii (eds.), Los papiros mágicos griegos: entre lo sublime y lo cotidiano, Madrid, 2015: 59-66.
E. Suárez de la Torre, “Observaciones sobre PGM XXXVI (P. Bibl. Univ. Oslo inv. nr. 1),”, in E. Suárez et alii (eds.), Los papiros mágicos griegos: entre lo sublime y lo cotidiano, Madrid, 2015: 67-89.